Jul 182011
 

This weekend I finished the first draft of the Violatrix novel. That is some sort of a record for me. By my sloppy notes, I think I started writing on June 23rd, and I wrapped it up on Juy 16th. That is less than a month with 16 chapters to show for it. Not fucking bad at all.

It helps that I spent a year thinking about this story. I had a rough idea for a bdsm starship and way back in August 2010, I made my first attempt at an outline. I still had the Island Princess book to finish, and then I had inspiration for Pusse’ and Cox and wanted to act on it. The Violatrix was the project I kept punting on, thinking I would get to it later. After punting it a few times, I began to wonder if I really wanted to write it.

That might be a bit hard for readers to understand. As a writer, I can love the idea of a book I want to read but it might not be something I want to write. I’d love to read the erotic adventures of Irene Adler for example, but the thought of writing Victorian mystery erotica is just beyond my ability. It would be too much work for it to be fun. I began to fear that maybe I was subconsciously avoiding the Violatrix.

The best cure for a fear is confronting it head on. I gave myself a buffer of five stories to post on Wednesdays so that I would have 5 weeks of no excuses. I adopted the attitude that writing a first draft that could be revised later was better than writing a first draft that was perfect the first time around. I gave myself permission to make mistakes as long as I was just writing.

So I wrote, I wrote and I wrote some more. The speed required fast decisions. I completely deleted a science character I had in mind because I recognized that he was a personal indulgence on my part that did nothing for the story. One character got red skin because everyone looked a bit too human for my tastes. Another character became part of a royal family.

Often when I write a novel, I go through a phase where I can’t stand the story anymore. It is because I am so deep inside the story that I see all the flaws and failed aspirations and no longer see it as a story. I think it also just comes down to exhaustion. I didn’t reach that with this story and that is amazing to me. I am sure I will during the revisions but to escape the first draft still fond of it is new for me. I like it.

Another amusing side effect is the havoc that writing this fast played on my ending. On the Violatrix, the crew are the ones most likely to kill each other. I didn’t want to fall into the Star Trek trap of eight invincible crew members. I want to shake the cast up with every story if I write this as a series. I had a list of characters to die and by the time I reached the end, I had a new set of characters in mind. I think the speed writing turned the story into an audition. By the time I reached the end, I knew who just didn’t click as a character and I never wanted to write again, and I knew the character that was so interesting that they had to die to complete their story arc.

Now it’s time to put the book away and work on other things. Like that pirate anthology which I really need to put the finishing touches. Shit, I also don’t have a story for this Wednesday. At this point, the idea of someone else writing that short story would be my idea of porn.

“Oh master, I will be your slave and do anything you want! do you want a blowjob? How about anal? Should I call my sister?”

“Slave, write a short story and make it funny. This I command.”

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